Anyone who saw Monelle (FID2019) won’t have 　　forgotten it. Genius peculiarto and filmmaker 　　Diego Marcon : creative, explosive sketches, 　　elementary and powerful devices designed 　　to remain burned both on the eye and in 　　the memory. Here, again, there are very few 　　characters: in a bedroom opposite the window, 　　a man sits on an unmade bed, then his two 　　children and finally their mother, each with a 　　contorted face à la Paul McCarthy. Again, the 　　sound is decisive: a chilling, disjointed ditty 　　sweetly describing abomination. The Parent’s 　　Room is a huddled-up horror film that, under the 　　domestic bliss, reveals the truth disrupting any 　　nuclear family: the murder. (Jean-Pierre Rehm)