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    0剧集 偷孩恶灵

    偷孩恶灵

    The Moogai

    影片信息

    • 片名:偷孩恶灵
    • 状态:已完结
    • 主演:贝拉·希思科特/托比·莱昂纳德·摩尔/塔拉·莫里斯/Clarence Ryan/SHARI SEBBENS/MEYNE WYATT/TESSA ROSE/
    • 导演:乔恩·贝尔/
    • 年份:2024
    • 地区:澳大利亚
    • 类型:剧情/惊悚/恐怖/
    • 时长:86分钟
    • 上映:2024-01-18
    • 语言:英语
    • 更新:2024-10-06 12:15
    • 简介:A young Aboriginal couple bring home their second baby. What should be a joyous time takes a sinister turn as the mother starts seeing a malevolent spirit she is convinced is trying to take her baby.   Adapted from his award-winning short and made with the producers of The Babadook and Talk to Me, Jon Bell’s debut feature draws from Indigenous lore for a thematically rich supernatural tale that quickly establishes the lurking menace of a child-stealing spirit. Its simmering suspense empathetically builds around the fragile psychology of a new mother, blurring the lines between exhaustion, paranoia, and postpartum depression. In exacerbating her isolation and hopelessness, Bell shrewdly accentuates traditional tools of oppression to reveal a darker allusion to Australia’s stolen generations — the tens of thousands of First Nations children forcibly removed from their families through the government’s assimilation policies — which the filmmaker calls a “massive wound in the psyche of Australia.” The Moogai bears its terrifying resonance out of sublimated trauma.—JN   源自:https://festival.sundance.org/program/film/6569ff27fac9f446d2c03b90
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    剧情简介

    A young Aboriginal couple bring home their second baby. What should be a joyous time takes a sinister turn as the mother starts seeing a malevolent spirit she is convinced is trying to take her baby.   Adapted from his award-winning short and made with the producers of The Babadook and Talk to Me, Jon Bell’s debut feature draws from Indigenous lore for a thematically rich supernatural tale that quickly establishes the lurking menace of a child-stealing spirit. Its simmering suspense empathetically builds around the fragile psychology of a new mother, blurring the lines between exhaustion, paranoia, and postpartum depression. In exacerbating her isolation and hopelessness, Bell shrewdly accentuates traditional tools of oppression to reveal a darker allusion to Australia’s stolen generations — the tens of thousands of First Nations children forcibly removed from their families through the government’s assimilation policies — which the filmmaker calls a “massive wound in the psyche of Australia.” The Moogai bears its terrifying resonance out of sublimated trauma.—JN   源自:https://festival.sundance.org/program/film/6569ff27fac9f446d2c03b90

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