In Bolivia’s rural desert, where the most important present is that of the wind moving among potato flowers and animals, the people who work the land, those who built ancient artifacts and sacred objects and the musicians who play monseñada -songs linked to the first products of the harvest- in the city streets have one thing in common—manual labor. With an appropriate inclusion of stories about enchanted lakes, legends passed from mouth to mouth -or from orality to the audiovisual, in this case- and imprint a fantastic aura to these lands, Luciana Decker Orozco not only succeeds in capturing country life without oscillations; she also resorts to the incessant movement of the images and the sound accompaniment to define a sensory experience that is transcendental to the audience. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/lo-que-los-humanos-ven-como-sangre-los-jaguares-ven-como-chicha