Early details are scant, except notice that The Thing That Hurts shoots in Brussels and (per quick translation) “evokes the meeting, following the death of a famous American psychotherapist based in Paris, of some of her patients, who confided in their relationship with the deceased.” Desplechin’s cinema is nothing if not the mingling of memory with grief––these four playing in that world is nearly as sterling a guarantee as the film struggling to receive U.S. distribution. As the result of a 2024 financing initiative, the project likely rolls cameras this year. by Film Stage